![]() ![]() The family is vacationing on the remote cabin near a lake in New Hampshire, but their mellowness is about to come to an abrupt end. ![]() Seven-year-old Wen and is having a great afternoon catching grasshoppers while her two daddies, Eric and Andrew, relax in a cabin nearby. Simply put, this novel cements Tremblay as the absolute king of uncertainty in horror fiction and proves he’s a word wizard capable of taking any premise and turning it into an edge-of-your-seat/superbly entertaining/oh-fuck-what’s-going-on-here experience through literary alchemy. However, none of the reviews I’ve encountered talk about one of the most important elements of Tremblay’s latest effort in relation to his two previous novels, A Head Full of Ghosts and Disappearance at Devil’s Rock. ![]() If you read a dozen reviews of Paul Tremblay’s latest, The Cabin at the End of the World, you’ll quickly learn the basics: it’s a superb horror thriller about a home invasion that has a touch of cosmic horror thrown in and tension to spare. ![]()
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